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Tennessee Williams wrote The Loss of a Teardrop Diamond in 1957; at that time, director Elia Kazan (who previously worked with Williams on A Streetcar Named Desire and Baby Doll) was attached to the project, reuniting with Williams for a third time. Kazan, however, went to work on other projects.Jodie Markell recalled how she first became aware of the script: "I had been interested in Tennessee Williams since I was a teenager. I'd read a lot of his work, everything I could find. I grew up in Memphis, Tennessee, and it really spoke to me. When I was in acting school one of my teachers showed me a collection of his screenplays, and when I read The Loss of a Teardrop Diamond I couldn't believe it had never been made. I really related to the character, Fisher Willow – mostly in her struggle to be heard in a society that keeps those who are more sensitive, more perceptive, more artistic, more romantic, witty – those people, he had an affinity for. He makes us understand them, he makes us see their vulnerabilities.
Markell then sought out the rights to do the film from Williams' estate. She was fairly young, and at the time the estate was extremely tight and not giving the rights to a lot of Williams' work. Markell said, "In time things changed, and the people who were in control of the rights changed, and we kept approaching them every few years with producer Brad Gilbert, who was really great and obtained the rights eventually. Together, we sought out the actors we wanted and the project started to come alive and the financing came together
Tennessee Williams wrote The Loss of a Teardrop Diamond in 1957; at that time, director Elia Kazan (who previously worked with Williams on A Streetcar Named Desire and Baby Doll) was attached to the project, reuniting with Williams for a third time. Kazan, however, went to work on other projects.Jodie Markell recalled how she first became aware of the script: "I had been interested in Tennessee Williams since I was a teenager. I'd read a lot of his work, everything I could find. I grew up in Memphis, Tennessee, and it really spoke to me. When I was in acting school one of my teachers showed me a collection of his screenplays, and when I read The Loss of a Teardrop Diamond I couldn't believe it had never been made. I really related to the character, Fisher Willow – mostly in her struggle to be heard in a society that keeps those who are more sensitive, more perceptive, more artistic, more romantic, witty – those people, he had an affinity for. He makes us understand them, he makes us see their vulnerabilities.
Markell then sought out the rights to do the film from Williams' estate. She was fairly young, and at the time the estate was extremely tight and not giving the rights to a lot of Williams' work. Markell said, "In time things changed, and the people who were in control of the rights changed, and we kept approaching them every few years with producer Brad Gilbert, who was really great and obtained the rights eventually. Together, we sought out the actors we wanted and the project started to come alive and the financing came together
Discount Diamond Rings
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Discount Diamond Rings
Discount Diamond Rings
Discount Diamond Rings
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Discount Diamond Rings
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